Accepted applicant for resettlement on the Hightstown project. Jewish-American. This man is already employed on the project as carpenter, working on the nearly completed first unit of thirty-five houses...
#Hightstown #Jewish-American #first #DorotheaLange #WorldWarII #undefined #photography #DorotheaLange
Vale Owyhee irrigation project. Seventeen year old boy going to feed the pigs. Homedale district, Malheur County, Oregon
#ValeOwyhee #Homedaledistrict #MalheurCounty #Oregon #America #undefined #photography #DorotheaLange
![The image is a black and white photograph depicting a young male standing in an outdoor setting, likely from the early to mid-20th century. The boy appears contemplative or focused on something out of frame as he gazes into distance with his head slightly tilted downward.
He wears a short-sleeve collared shirt tucked into trousers, with visible dirt stains indicative of agricultural work. On his right side, hanging from the belt loop is what seems to be a handkerchief in its pocket and another item possibly secured by a belt or strap around waist level. The boy's left shoulder bears an object that could potentially be a small bag or container.
In one hand, he holds a metal bucket, suggesting involvement in some form of laborious task such as feeding animals, which is corroborated with the accompanying text mentioning "feeding pigs." His right foot rests on what looks like sandy terrain, and behind him lies sparse vegetation under an expansive sky that suggests arid or semi-arid conditions. A tall pole stands to his left side against this backdrop.
The image conveys a sense of rural life during a period where laborious work was commonplace for young individuals as they contributed to family livelihoods on farms. The photo captures the simplicity and starkness often associated with agricultural environments in America's western regions, specifically referencing "Vale Owyhee irrigation project" located in Malheur County, [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/345/455/793/837/711/original/dca4e3fde3952a89.jpeg "The image is a black and white photograph depicting a young male standing in an outdoor setting, likely from the early to mid-20th century. The boy appears contemplative or focused on something out of frame as he gazes into distance with his head slightly tilted downward.
He wears a short-sleeve collared shirt tucked into trousers, with visible dirt stains indicative of agricultural work. On his right side, hanging from the belt loop is what seems to be a handkerchief in its pocket and another item possibly secured by a belt or strap around waist level. The boy's left shoulder bears an object that could potentially be a small bag or container.
In one hand, he holds a metal bucket, suggesting involvement in some form of laborious task such as feeding animals, which is corroborated with the accompanying text mentioning \"feeding pigs.\" His right foot rests on what looks like sandy terrain, and behind him lies sparse vegetation under an expansive sky that suggests arid or semi-arid conditions. A tall pole stands to his left side against this backdrop.
The image conveys a sense of rural life during a period where laborious work was commonplace for young individuals as they contributed to family livelihoods on farms. The photo captures the simplicity and starkness often associated with agricultural environments in America's western regions, specifically referencing \"Vale Owyhee irrigation project\" located in Malheur County, [...]")
Mrs. Cleaver is raising five sons on new farm. Malheur County, Oregon
#Cleaver #MalheurCounty #Oregon #American #undefined #photography #DorotheaLange
Hightstown, New Jersey. Jewish-American farm mother, Mrs. Cohen, wife of the farm manager
#Hightstown #NewJersey #Jewish-American #Cohen #American #undefined #photography #DorotheaLange
![This image is a black and white photograph depicting an adult woman. She appears to be of Jewish-American descent, as indicated by the caption referring to her in that context.
The subject has medium-length hair parted on one side and styled loosely around her face. Her expression seems contemplative or thoughtful, with a slight smile. The eyes are slightly narrowed, indicating deep thoughtfulness or perhaps she is closing them for an internal moment of reflection.
She's wearing what looks like a short-sleeved blouse featuring large circular motifs that could be interpreted as leaves; they're repeated in various sizes across the fabric and create a somewhat abstract pattern against her dark-colored shirt. The garment has buttons down the front, visible at least through partway up on each sleeve where it is cut.
The background of this photo is nondescript but appears to be outdoors due to hints of lightness or brightness behind her shoulders which could suggest an overcast sky or a neutral outdoor backdrop.
This photograph seems like historical documentation possibly from around the early 20th century given its composition style and lack of color, suggesting it might have been taken during a time when photography was not yet fully integrated into everyday life. The woman's attire is modest but also shows some fashion trends indicative of that era. It may carry social or cultural context which could be valuable for his [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/344/531/741/448/314/original/6db8cd59f29af61b.jpeg "This image is a black and white photograph depicting an adult woman. She appears to be of Jewish-American descent, as indicated by the caption referring to her in that context.
The subject has medium-length hair parted on one side and styled loosely around her face. Her expression seems contemplative or thoughtful, with a slight smile. The eyes are slightly narrowed, indicating deep thoughtfulness or perhaps she is closing them for an internal moment of reflection.
She's wearing what looks like a short-sleeved blouse featuring large circular motifs that could be interpreted as leaves; they're repeated in various sizes across the fabric and create a somewhat abstract pattern against her dark-colored shirt. The garment has buttons down the front, visible at least through partway up on each sleeve where it is cut.
The background of this photo is nondescript but appears to be outdoors due to hints of lightness or brightness behind her shoulders which could suggest an overcast sky or a neutral outdoor backdrop.
This photograph seems like historical documentation possibly from around the early 20th century given its composition style and lack of color, suggesting it might have been taken during a time when photography was not yet fully integrated into everyday life. The woman's attire is modest but also shows some fashion trends indicative of that era. It may carry social or cultural context which could be valuable for his [...]")
Hightstown, New Jersey. Jewish-American farm mother, Mrs. Cohen, wife of the farm manager
#Hightstown #NewJersey #Jewish-American #Cohen #America #undefined #photography #DorotheaLange
![The image is a black and white photograph depicting an individual standing in what appears to be a field of crops, likely wheat or barley. The person is wearing a short-sleeved dress adorned with large floral patterns, primarily composed of dark colors interspersed with lighter shades.
They have their arms crossed over the chest, one hand resting on the chin, which suggests deep thought or contemplation. Their expression appears to be serene and reflective rather than joyful. It's important to note that there is text at the top right corner; however, it seems to belong to a separate context as it doesn't appear relevant in this setting.
There are no discernible background elements beyond the field extending into the distance under an overcast sky. The photo captures a moment of quiet introspection or decision-making for someone who could be identified by their attire and posture within the agricultural sector, potentially hinting at rural life during mid-20th century America.
The provided information indicates that this image is associated with Jewish-American farm mother Mrs. Cohen from Hightstown, New Jersey, possibly taken in 1936 as indicated on a sticker visible near the bottom of the photograph. This historical context adds significant depth to understanding who and what might be captured within these visual confines.
The photo's age suggests it could have been part of a larger collection documenting rural life [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/343/568/331/345/343/original/1cd6a3018060893b.jpeg "The image is a black and white photograph depicting an individual standing in what appears to be a field of crops, likely wheat or barley. The person is wearing a short-sleeved dress adorned with large floral patterns, primarily composed of dark colors interspersed with lighter shades.
They have their arms crossed over the chest, one hand resting on the chin, which suggests deep thought or contemplation. Their expression appears to be serene and reflective rather than joyful. It's important to note that there is text at the top right corner; however, it seems to belong to a separate context as it doesn't appear relevant in this setting.
There are no discernible background elements beyond the field extending into the distance under an overcast sky. The photo captures a moment of quiet introspection or decision-making for someone who could be identified by their attire and posture within the agricultural sector, potentially hinting at rural life during mid-20th century America.
The provided information indicates that this image is associated with Jewish-American farm mother Mrs. Cohen from Hightstown, New Jersey, possibly taken in 1936 as indicated on a sticker visible near the bottom of the photograph. This historical context adds significant depth to understanding who and what might be captured within these visual confines.
The photo's age suggests it could have been part of a larger collection documenting rural life [...]")
Homesteader, farmer, who has been working on the community farm since 1934. Hightstown, New Jersey
#Homesteader #Hightstown #NewJersey #DorotheaLange #theGreatDepression #Lange #WorldWarI #American #America #undefined #photography #DorotheaLange
![The image is a black and white photograph featuring an elderly man standing in the middle of a field. He's wearing practical, work-appropriate clothing that includes a short-sleeved button-up shirt with pockets on both sleeves, which are rolled up to his elbows, as well as khaki pants secured by a belt at his waistline. His stance is relaxed yet upright, and he appears confident in the setting around him.
His expression is pleasant; he's smiling directly towards the camera, showcasing white teeth that suggest good dental health or possibly use of an aesthetic aid like dentures. The man has on what seems to be a cap with a brim, which could provide shade from the sun—a common accessory for outdoor laborers. His gaze and posture convey contentment.
The field he's standing in is filled with tall crops that reach nearly as high as his chest. These plants are likely grain or another type of crop commonly cultivated on farms. The sky above him appears to be mostly clear, although there seems to be a hint of cloud cover towards the horizon where trees can faintly be seen.
The photograph has an overall timeless quality due to its monochromatic scheme and composition that emphasizes simplicity and straightforwardness—a common approach in documentary photography which aims to capture real-life moments without embellishment. The absence of color focuses attention on form, texture, contrast, and subject matter rather than the pla [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/343/014/195/084/345/original/dfa74a3d26ff57aa.jpeg "The image is a black and white photograph featuring an elderly man standing in the middle of a field. He's wearing practical, work-appropriate clothing that includes a short-sleeved button-up shirt with pockets on both sleeves, which are rolled up to his elbows, as well as khaki pants secured by a belt at his waistline. His stance is relaxed yet upright, and he appears confident in the setting around him.
His expression is pleasant; he's smiling directly towards the camera, showcasing white teeth that suggest good dental health or possibly use of an aesthetic aid like dentures. The man has on what seems to be a cap with a brim, which could provide shade from the sun—a common accessory for outdoor laborers. His gaze and posture convey contentment.
The field he's standing in is filled with tall crops that reach nearly as high as his chest. These plants are likely grain or another type of crop commonly cultivated on farms. The sky above him appears to be mostly clear, although there seems to be a hint of cloud cover towards the horizon where trees can faintly be seen.
The photograph has an overall timeless quality due to its monochromatic scheme and composition that emphasizes simplicity and straightforwardness—a common approach in documentary photography which aims to capture real-life moments without embellishment. The absence of color focuses attention on form, texture, contrast, and subject matter rather than the pla [...]")
Resettled child of Bosque Farms, New Mexico. She herds cows for neighboring families for five cents per day
#BosqueFarms #NewMexico #undefined #photography #DorotheaLange
Youngest child of four of rural rehabilitation client. Father assisted in establishing poultry farm. Loan successful. Near San Fernando, California
#SanFernando #California #undefined #photography #DorotheaLange
Sunday morning. Dayton, Tennessee. This was the town in which the famous Scopes trial (Darrow vs. Bryan) was held
#Dayton #Tennessee #Scopes #Darrow #Bryan #Gothic #undefined #photography #DorotheaLange
Migrant shed worker. Northeast Florida
#NortheastFlorida #Jacksonville #undefined #photography #DorotheaLange
Tom Collins, manager of Kern County migrant camp, California
#TomCollins #KernCounty #California #DorotheaLanges #America #Loenernl #DorotheaLange’s #theGreatDepression #undefined #photography #DorotheaLange
![The image is a black and white photograph featuring an older man standing against a plain, light background. The subject appears to be middle-aged or elderly with graying hair styled in a slightly wavy manner that recedes at the temples. His eyebrows are thick and his expression is neutral but somewhat stern.
He wears a dark-colored tie loosely knotted around his neck, over an open collar white shirt. Over this outfit, he has on a light gray cardigan sweater, unbuttoned to reveal both his chest hair and part of his abdomen beneath the shirt. The man's posture suggests casualness as one hand appears in his pocket.
The image is labeled with text at the top right corner reading "MJ15 STARTIM A302" which might be a reference number or code related to its cataloguing, possibly by an organization like the Farm Security Administration (FSA) or Guggenheim Foundation. There's also handwritten notation on the negative border: “M1J 8697 - F2” and "A5." The latter likely indicates this photograph is part of a series with a specific identification number.
There are no visible distinctive features that would immediately identify him as Tom Collins, manager of Kern County migrant camp in California. However, the context provided suggests it may be related to his role or work within that capacity during Dorothea Lange's photography project documenting the lives and conditions of migratory workers on America’s western coast.
It is im [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/339/844/732/573/912/original/409d44f478643e73.jpeg "The image is a black and white photograph featuring an older man standing against a plain, light background. The subject appears to be middle-aged or elderly with graying hair styled in a slightly wavy manner that recedes at the temples. His eyebrows are thick and his expression is neutral but somewhat stern.
He wears a dark-colored tie loosely knotted around his neck, over an open collar white shirt. Over this outfit, he has on a light gray cardigan sweater, unbuttoned to reveal both his chest hair and part of his abdomen beneath the shirt. The man's posture suggests casualness as one hand appears in his pocket.
The image is labeled with text at the top right corner reading \"MJ15 STARTIM A302\" which might be a reference number or code related to its cataloguing, possibly by an organization like the Farm Security Administration (FSA) or Guggenheim Foundation. There's also handwritten notation on the negative border: “M1J 8697 - F2” and \"A5.\" The latter likely indicates this photograph is part of a series with a specific identification number.
There are no visible distinctive features that would immediately identify him as Tom Collins, manager of Kern County migrant camp in California. However, the context provided suggests it may be related to his role or work within that capacity during Dorothea Lange's photography project documenting the lives and conditions of migratory workers on America’s western coast.
It is im [...]")
Children of destitute family. American River camp, near Sacramento, California
#AmericanRiver #Sacramento #California #undefined #photography #DorotheaLange
Daughter of a migrant fruit worker. American River camp outside of Sacramento, California
#AmericanRiver #Sacramento #California #undefined #photography #DorotheaLange
Daughter of migrant Tennessee coal miner. Living in American River camp near Sacramento, California
#Tennessee #AmericanRiver #Sacramento #California #American #undefined #photography #DorotheaLange
The sheriff of McAlester, Oklahoma, sitting in front of the jail. He has been sheriff for thirty years
Son of migratory worker from Kansas in squatters' camp near Farmersville, California
#Kansas #Farmersville #California #DorotheaLange #America #undefined #photography #DorotheaLange
Occupants--one more home on wheels. California
Migrant Mexican children in contractor's camp at time of early pea harvest. Nipomo, California
#Mexican #Nipomo #California #SanLuisObispo #undefined #photography #DorotheaLange
![The image is a black and white photograph depicting two children standing in front of what appears to be a temporary or makeshift shelter, possibly made from canvas. The older child, who seems female, stands with her hand on her head as if shielding herself from the sun or wind, wearing a simple dress that reaches mid-calf length. Beside her is another young child, likely male, standing barefoot and appears to be holding something in his hands which he gazes at intently.
The setting suggests an outdoor environment possibly during work-related activities, indicated by their informal attire and the makeshift nature of their surroundings. The presence of numbers on what might be a tent or temporary structure could imply organization or classification within this context. No clear indication of specific locations is provided beyond mentioning 'Nipomo,' which may refer to Nipomo near San Luis Obispo in California.
The photograph captures a moment that seems candid, likely taken during the day given the shadows visible on the ground and under their clothing. The overall condition indicates simplicity or lack thereof, possibly reflecting socioeconomic conditions at the time of its capture.
There's no explicit information about what they are doing beyond standing there; however, considering historical context related to migrant workers in California agricultural regions, it may relate to work-related activities during a harve [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/335/833/716/599/831/original/6e07c6044d2c7912.jpeg "The image is a black and white photograph depicting two children standing in front of what appears to be a temporary or makeshift shelter, possibly made from canvas. The older child, who seems female, stands with her hand on her head as if shielding herself from the sun or wind, wearing a simple dress that reaches mid-calf length. Beside her is another young child, likely male, standing barefoot and appears to be holding something in his hands which he gazes at intently.
The setting suggests an outdoor environment possibly during work-related activities, indicated by their informal attire and the makeshift nature of their surroundings. The presence of numbers on what might be a tent or temporary structure could imply organization or classification within this context. No clear indication of specific locations is provided beyond mentioning 'Nipomo,' which may refer to Nipomo near San Luis Obispo in California.
The photograph captures a moment that seems candid, likely taken during the day given the shadows visible on the ground and under their clothing. The overall condition indicates simplicity or lack thereof, possibly reflecting socioeconomic conditions at the time of its capture.
There's no explicit information about what they are doing beyond standing there; however, considering historical context related to migrant workers in California agricultural regions, it may relate to work-related activities during a harve [...]")
Dust bowl refugee in California. "We was starved out and we live on perhaps. We could maybe find a little work if we could afford to roll"
#California #theDustBowl #undefined #photography #DorotheaLange
Rural rehabilitation client. Chicken farmer making good on rural resettlement loan. He sells one case of eggs a day. Worked on a state emergency relief administration job previous to loan. San Fernando Valley, California
#SanFernandoValley #California #Chicken #undefined #photography #DorotheaLange
![The image is a black and white photograph featuring an older man seated on what appears to be a bench. He has short, graying hair with a serious expression as he looks off into the distance or at something outside of frame.
He's wearing a collared shirt that seems slightly worn, indicating it may have been used for manual labor tasks such as farming. In his lap and in his hands are two white chickens; one is being held close to him while the other rests on its feet near his knee. The man has a gentle demeanor towards the birds.
The background shows part of what looks like wooden panels or fencing, which suggests that this photo was taken outdoors, possibly at an agricultural setting such as a farm or poultry yard.
There are some visible text overlays in white letters across the top and bottom edges of the image, likely indicating copyright information. These include "COPYRIGHT ©1938," suggesting it is from around 1938, along with various symbols that indicate digital manipulation (like "start" and a camera icon). Additionally, there's an alphanumeric code at the very bottom: "6495b860ba25398d90c50706," which could be used for cataloging or referencing purposes.
The image is labeled with text that provides context about its subject and setting. It mentions rural rehabilitation, a client named Chicken farmer, the location as San Fernando Valley in California, and indicates previous employment on a state emergency relie [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/333/710/477/269/630/original/c8c6f61a7e3dd434.jpeg "The image is a black and white photograph featuring an older man seated on what appears to be a bench. He has short, graying hair with a serious expression as he looks off into the distance or at something outside of frame.
He's wearing a collared shirt that seems slightly worn, indicating it may have been used for manual labor tasks such as farming. In his lap and in his hands are two white chickens; one is being held close to him while the other rests on its feet near his knee. The man has a gentle demeanor towards the birds.
The background shows part of what looks like wooden panels or fencing, which suggests that this photo was taken outdoors, possibly at an agricultural setting such as a farm or poultry yard.
There are some visible text overlays in white letters across the top and bottom edges of the image, likely indicating copyright information. These include \"COPYRIGHT ©1938,\" suggesting it is from around 1938, along with various symbols that indicate digital manipulation (like \"start\" and a camera icon). Additionally, there's an alphanumeric code at the very bottom: \"6495b860ba25398d90c50706,\" which could be used for cataloging or referencing purposes.
The image is labeled with text that provides context about its subject and setting. It mentions rural rehabilitation, a client named Chicken farmer, the location as San Fernando Valley in California, and indicates previous employment on a state emergency relie [...]")
