NRW.social

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Thomas<a href="https://metalhead.club/tags/TheSundayStarter" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#TheSundayStarter</a> for me is from Erfurt (Thuringia/Germany) today.Motorowl – This House Has No Center <a href="https://album.link/d/530236382" rel="nofollow noopener noreferrer" translate="no" target="_blank">https://album.link/d/530236382</a><a href="https://metalhead.club/tags/Music" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Music</a> <a href="https://metalhead.club/tags/Rock" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Rock</a> <a href="https://metalhead.club/tags/PsychedelicRock" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#PsychedelicRock</a> <a href="https://metalhead.club/tags/ProgessiveRock" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#ProgessiveRock</a> <a href="https://metalhead.club/tags/AlternativeDoom" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#AlternativeDoom</a> <a href="https://metalhead.club/tags/t4sMusic" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#t4sMusic</a>

Becca ReeseSo Freunde des guten Musikgeschmacks, bitte einmal um eure Aufmerksamkeit!Nach ihrem grandiosen und unfassbar schlecht besuchten Gig gestern Abend hat sich Baron Crâne spontan entschieden ein Zusatzkonzert in Berlin zu geben – mit Spezial-Setlist! Sowas von underrated und underground. Ein echter Geheimtipp! 🤩 <a href="https://mobilize.berlin/events/9877bae4-e840-40f9-b77c-d7a877afa628" rel="nofollow noopener noreferrer" translate="no" target="_blank">https://mobilize.berlin/events/9877bae4-e840-40f9-b77c-d7a877afa628</a><a href="https://ifwo.eu/tags/radio27" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#radio27</a> <a href="https://ifwo.eu/tags/concert" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#concert</a> <a href="https://ifwo.eu/tags/Berlin" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Berlin</a> <a href="https://ifwo.eu/tags/ProgessiveRock" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#ProgessiveRock</a> <a href="https://ifwo.eu/tags/StonerRock" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#StonerRock</a> <a href="https://ifwo.eu/tags/PsychedelicRock" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#PsychedelicRock</a>

Dave Thacker<a href="https://universeodon.com/@asajonsen" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@asajonsen</a> Never heard of <a href="https://techtoots.com/tags/Frost" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Frost</a>. I'm 5 minutes into Day and Age and I think I'll be listening to a lot this over the weekend. Cheers!<a href="https://techtoots.com/tags/progessiverock" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#progessiverock</a>

Le BelgeVan der Graaf Generator <a href="https://en.wikipedia.org/wiki/Van_der_Graaf_Generator" rel="nofollow noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Van_der_Graaf_Generator</a>"The Least We Can Do Is Wave to Each Other" <a href="https://songwhip.com/van-der-graaf-generator/the-least-we-can-do-is-wave-to-each-other" rel="nofollow noopener noreferrer" target="_blank">https://songwhip.com/van-der-graaf-generator/the-least-we-can-do-is-wave-to-each-other</a> (Charisma 1970)<a href="https://mathstodon.xyz/tags/NowListening" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#NowListening</a> <a href="https://mathstodon.xyz/tags/music" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#music</a> <a href="https://mathstodon.xyz/tags/rock" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#rock</a> <a href="https://mathstodon.xyz/tags/BritishRock" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#BritishRock</a> <a href="https://mathstodon.xyz/tags/ProgRock" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#ProgRock</a> <a href="https://mathstodon.xyz/tags/ProgessiveRock" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#ProgessiveRock</a> <a href="https://mathstodon.xyz/tags/VanDerGraafGenerator" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#VanDerGraafGenerator</a>

Great_AlbumsGreat Albums - 1970s: <a href="https://mstdn.social/tags/JethroTull" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#JethroTull</a> – <a href="https://mstdn.social/tags/Aqualung" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Aqualung</a> (1971). Because they had roots in the blues and Ian Anderson had a folkie’s heart, Tull managed to achieve an ideal balance of progressive concept and accessible boogie. Here, the surreal mythos of “Aqualung” and knotty turns of “My God” and “Wind-Up” give way to the simpler propulsion of “Cross-Eyed Mary” and “Locomotive Breath” – all with enough metallic drive to satisfy dudes in Camaros. <a href="https://mstdn.social/tags/GreatAlbums1970s" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#GreatAlbums1970s</a>, <a href="https://mstdn.social/tags/Vinyl" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Vinyl</a>, <a href="https://mstdn.social/tags/Album" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Album</a>, <a href="https://mstdn.social/tags/Prog" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Prog</a>, <a href="https://mstdn.social/tags/ProgessiveRock" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#ProgessiveRock</a>

Great_AlbumsGreat Albums - 1970s: <a href="https://mstdn.social/tags/Yes" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Yes</a> – <a href="https://mstdn.social/tags/TheYesAlbum" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#TheYesAlbum</a> (1971). Adding Steve Howe helped Yes progress from casual astral travelers to full-bore starship troopers. Keeping Tony Kaye (for now) kept them earthbound in the keyboard wing, until next LP when Wakeman stepped in. Like Tull’s Aqualung, an LP that manages to do all the prog stuff you like while keeping a solid booster rocket at the back of the spaceship to keep your earthling friends happy. <a href="https://mstdn.social/tags/GreatAlbums1970s" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#GreatAlbums1970s</a>, <a href="https://mstdn.social/tags/Vinyl" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Vinyl</a>, <a href="https://mstdn.social/tags/Album" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Album</a>, <a href="https://mstdn.social/tags/Prog" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Prog</a>, <a href="https://mstdn.social/tags/ProgessiveRock" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#ProgessiveRock</a>

Great_AlbumsGreat Albums - 1970s: <a href="https://mstdn.social/tags/EmersonLakeAndPalmer" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#EmersonLakeAndPalmer</a> (1970). Before the armadillo tanks rolled in, ELP followed its Isle of Wight launch gig with this cohesive LP that showcased all of Emerson’s chops without sacrificing basic rock output. “Knife-Edge,” based on Janacek’s Sinfonietta, is as close to heavy metal fanfare as you need. “The Barbarian” sexes up Bela Bartok. And Greg Lake’s two songs, “Take a Pebble” and “Lucky Man,” are quite lovely. <a href="https://mstdn.social/tags/GreatAlbums1970s" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#GreatAlbums1970s</a>, <a href="https://mstdn.social/tags/Vinyl" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Vinyl</a>, <a href="https://mstdn.social/tags/Album" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Album</a>, <a href="https://mstdn.social/tags/Prog" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Prog</a>, <a href="https://mstdn.social/tags/ProgessiveRock" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#ProgessiveRock</a>

Great_AlbumsGreat Albums - 1970s: <a href="https://mstdn.social/tags/Genesis" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Genesis</a> – <a href="https://mstdn.social/tags/SellingEnglandByThePound" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#SellingEnglandByThePound</a> (1973). Safe now from the dastardly hogweed, the lads let Steve Hackett’s guitar take a more defining role – heard best on “Dancing with the Moonlight Knight.” The concepts still loom in “Epping Forest” and “Cinema Show,” but there’s a quieter flair in Peter Gabriel’s pastoral lawnmower and Phil Collins’ prophetic “More Fool Me.” Sue me, but I like this far better than The Lamb. <a href="https://mstdn.social/tags/GreatAlbums1970s" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#GreatAlbums1970s</a>, <a href="https://mstdn.social/tags/Vinyl" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Vinyl</a>, <a href="https://mstdn.social/tags/Album" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Album</a>, <a href="https://mstdn.social/tags/Prog" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Prog</a>, <a href="https://mstdn.social/tags/ProgessiveRock" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#ProgessiveRock</a>

Great_AlbumsGreat Albums - 1970s: <a href="https://mstdn.social/tags/Yes" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Yes</a> – <a href="https://mstdn.social/tags/CloseToTheEdge" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#CloseToTheEdge</a> (1972). If you can decipher the subtitles and figure out what a “Siberian Khatru” is supposed to be, a big green lolly for you. In any case, these pieces are among the few examples of prog concept keeping its shoes on the ground, especially amazing in light of Anderson’s lyrics – which mystified even him. Wakeman’s organ solo on the title track is transcendent – fitting Yes at its rockiest. <a href="https://mstdn.social/tags/GreatAlbums1970s" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#GreatAlbums1970s</a>, <a href="https://mstdn.social/tags/Vinyl" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Vinyl</a>, <a href="https://mstdn.social/tags/Album" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Album</a>, <a href="https://mstdn.social/tags/Prog" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Prog</a>, <a href="https://mstdn.social/tags/ProgessiveRock" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#ProgessiveRock</a>

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